Become familiar with the format of a screenplay.

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The Coffee Break Screenwriter

Unlike a short story or a novel, the form of a screenplay is based around dialogue, rather than prose or description. The big rule in screenwriting is: you are writing visually. Movies are a series of images, so the images in your screenplay should be striking and engaging.

• The Coffee Break Screenwriter Breaks the Rules: A Guide for the Rebel Writer December 15, 2017. The Coffee Break Screenwriter: Writing Your Script Ten Minutes at a Time – 2nd Edition May 1, 2016. About This Book. Overview; Details; Reviews(3) Overview.
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• Another big rule is: Every paragraph of action lines should be four lines or less. This means that the descriptions about what each character is wearing or how they are acting in a scene should be no more than three lines. Use the least amount of words possible describing action or setting and let the dialogue do the 'talking.'^[2]
• Character backstory and motivations should come from a character’s actions and dialogue, as opposed to the descriptions. The best screenwriters keep their action description to two lines per paragraph throughout most of the script. But there should still be a lot of description through the power of the dialogue.
• Keep all writing in the present tense. This keeps things moving forward in your screenplay, which is really what your screenplay should be doing: moving action and character forward.
• Like everything, there are exceptions to this rule of three description lines or less per scene of text. For example, the screenplay for the 2011 film “All is Lost”, written by J.C. Candor and starring Robert Redford, only has about 4-5 full pages of dialogue in the entire script. The majority of the main character’s actions are shown through long sections of description of the character’s actions.^[3] These types of screenplays are rare though, and difficult to do well.