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Bela Bartok Mikrokosmos Pdf Vol 3

  1. Bela Bartok
  2. Bela Bartok Mikrokosmos Pdf Vol 3
  3. Mikrokosmos Pdf
  4. Bartok Mikrokosmos Analysis
In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children.' Stylistically, Mikrokosmos reflects the influence of folk music on Bartok's life. The rhythms and harmonies he employed create music that is as modern today as when the cycle was written. The 153 pieces making up Mikrokosmos are divided into six volumes arranged according to technical and musical difficulty. Major teaching points highlighted in Volume 1 include unison melodies, question and answer, imitation and inversion. Volume 2 includes staccato, legato, accompaniment in broken triads, and accents. Volume 3 covers triplets, broken chords, and chromatic invention. Volume 4 covers thumb under, crossed hands, and triplets in 9/8 time. Volume 5 covers chords together and opposed, studies in double notes, and the whole tone scale and Volume 6 includes divided arpeggios, minor seconds, major sevenths, and ostinato. Standard editions contain text in English, French, German, and Hungarian. Universal editions contain text in English, Portuguese, Spanish, and Japanese. All volumes contain a preface by the editor, Peter Bartok (Bela Bartok's son), and a preface by the composer.

Since this work was first published after 1923 with the prescribed copyright notice, it is unlikely that this work is public domain in the USA. However, it is in the public domain in Canada (where IMSLP is hosted), the EU, and in those countries where the copyright term is life+70 years or less.

IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Movements/SectionsMov'ts/Sec's153 pieces in 6 volumes
Composition Year1926-39
Genre CategoriesPieces; For piano; Scores featuring the piano; For 1 player; For 2 pianos; For 2 players; For voice, piano; For voices with keyboard; Scores featuring the voice; For guitar, 2 mandolins, mandola, mandocello, double bass (arr); Scores featuring the guitar; Scores featuring the mandolin; Scores featuring the mandola; Scores featuring the mandocello; Scores featuring the double bass; For 6 players; For organ (arr); Scores featuring the organ; For 2 pianos (arr); For 3 violins, viola, double bass (arr); Scores featuring the violin; Scores featuring the viola; For 5 players; For orchestra (arr); For orchestra; Scores featuring the orchestra

Created Date: 7/23/2003 3:47:47 PM. In 1945 Bela Bartok described Mikrokosmos as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. *Curso Piano* Bela Bartok Mikrokosmos Vol: 1-2-3-4-5 Bueno Gente, habia estado medio desaparecido, pero aca vuelvo XD, disculpen por dejar medio botado el blog, es que hace 2 semanas que empezo el liceo XD, pero bien, aca les traigo este genial curso para principiantes, con este puedes empezar, esta en ingles, pero = se entiende, la idea es.

  • 1Performances
    • 1.2Synthesized/MIDI
  • 2Sheet Music
    • 2.2Arrangements and Transcriptions
      • 2.2.1Selections (10 pieces)
      • 2.2.2Selections (7 pieces, Sz.108)
      • 2.2.3Melody in the Mist (No.107)
      • 2.2.4Syncopation (No.133)

Performances

Naxos

Synthesized/MIDI

For Organ (Gouin)

43. À la hongroise - 44. Mouvement contraire (EU)
*#392289 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 321×⇩ - MID - Keanur

⇒ 8 more: 55. Triolets en mode lydien • 65. Dialogue «Vane, vane» • 72. Danse des dragons • 74. Chanson hongroise • 76. À trois voix • 83. Mélodie avec interruptions • 89. À quatre voix • 93. À quatre voix

55. Triolets en mode lydien (EU)
*#392290 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 95×⇩ - MID - Keanur

65. Dialogue «Vane, vane» (EU)
*#392291 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 79×⇩ - MID - Keanur

72. Danse des dragons (EU)
*#392292 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 97×⇩ - MID - Keanur

74. Chanson hongroise (EU)
*#392293 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 67×⇩ - MID - Keanur

76. À trois voix (EU)
*#392294 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 75×⇩ - MID - Keanur

83. Mélodie avec interruptions (EU)
*#392295 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 76×⇩ - MID - Keanur

89. À quatre voix (EU)
*#392296 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 72×⇩ - MID - Keanur

93. À quatre voix (EU)
*#392297 - 0.00MB - ? - 0.0/10 (-) - !N/36/!N - 67×⇩ - MID - Keanur

PerformersMIDI file by Pierre Gouin
Publisher Info.Montréal: Les Éditions Outremontaises, 2015
Copyright
Creative Commons Attribution-NonCommercial 4.0 - Non-PD US[tag/del]
Misc. NotesFrom books II & III.
Purchase

Sheet Music

Scores

Complete Score (EU)
*#465640 - 7.52MB, 262 pp. - 0.0/10 (-) - V/36/V- 48597×⇩ - JacopoTore

Publisher. Info.London: Boosey & Hawkes, 1940.
Copyright
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Book 1 (1-36) (EU)
*#01109 - 0.59MB, 15 pp. - 0.0/10 (-) - V/36/V- 113669×⇩ - M.H.A.Bod

⇒ 6 more: Book 2 (37-66) • Book 3 (67-96) • Book 4 (97-121) • Book 5 (122-139) • Book 6 (140-153) • Appendix

Book 2 (37-66) (EU)
*#01110 - 0.95MB, 23 pp. - 0.0/10 (-) - V/36/V- 46929×⇩ - M.H.A.Bod

Book 3 (67-96) (EU)
*#01556 - 1.38MB, 33 pp. - 0.0/10 (-) - V/36/V- 39214×⇩ - M.H.A.Bod

Book 4 (97-121) (EU)
*#01557 - 1.43MB, 33 pp. - 0.0/10 (-) - V/36/V- 39679×⇩ - M.H.A.Bod

Book 5 (122-139) (EU)
*#01558 - 1.35MB, 31 pp. - 0.0/10 (-) - V/36/V- 35908×⇩ - M.H.A.Bod

Book 6 (140-153) (EU)
*#01559 - 2.10MB, 50 pp. - 0.0/10 (-) - V/36/V- 54556×⇩ - M.H.A.Bod

Appendix (EU)
*#01560 - 0.51MB, 13 pp. - 0.0/10 (-) - V/36/V- 13866×⇩ - M.H.A.Bod

Publisher. Info.Moscow: Muzyka, n.d.(ca.1980). Plate 10956.
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Arrangements and Transcriptions

Selections (10 pieces)

For Organ (Gouin)

Complete Score (EU)
*#392288 - 0.63MB, 12 pp. - 0.0/10 (-) - !N/36/!N- 1627×⇩ - editor

Arranger
Publisher. Info.Montréal: Les Éditions Outremontaises, 2007 & 2009
Copyright
Creative Commons Attribution-NonCommercial 4.0 - Non-PD US[tag/del]
Misc. NotesFrom books II & III.
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43. À la hongroise - 44. Mouvement contraire (EU)
*#147159 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 946×⇩ - editor

⇒ 9 more: 55. Triolets en mode lydien • 65. Dialogue «Vane, vane» • 72. Danse des dragons • 74. Chanson hongroise • 76. À trois voix • 83. Mélodie avec interruptions • 83. Mélodie avec interruptions (for 30-note pedalboard) • 89. À quatre voix • 93. À quatre voix

55. Triolets en mode lydien (EU)
*#147160 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 441×⇩ - editor

65. Dialogue «Vane, vane» (EU)
*#147161 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 338×⇩ - editor

72. Danse des dragons (EU)
*#147162 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 502×⇩ - editor

74. Chanson hongroise (EU)
*#147163 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 429×⇩ - editor

76. À trois voix (EU)
*#147164 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 355×⇩ - editor

83. Mélodie avec interruptions (EU)
*#147165 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 336×⇩ - editor

83. Mélodie avec interruptions (for 30-note pedalboard) (EU)
*#147166 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 346×⇩ - editor

89. À quatre voix (EU)
*#147167 - 0.07MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 354×⇩ - editor

93. À quatre voix (EU)
*#147168 - 0.06MB, 1 pp. - 0.0/10 (-) - !N/36/!N- 393×⇩ - editor

Arranger
Publisher. Info.Montréal: Les Éditions Outremontaises, 2007 & 2009
Copyright
Creative Commons Attribution Non-commercial 3.0 - Non-PD US[tag/del/mrg]
Misc. NotesFrom books 2 & 3.
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Selections (7 pieces, Sz.108)

For Mandolin Orchestra (Sato)

Complete score and parts (EU)
*#338416 - 1.53MB, 68 pp. - 0.0/10 (-) - !N/36/!N- 1101×⇩ - Yoshimichisato

ArrangerYoshimichi Sato
Publisher. Info.Yoshimichi Sato
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Performance Restricted Attribution-ShareAlike 3.0 - Non-PD US[tag/del]
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For 2 Pianos (Composer)

Complete score, Sz.108 (EU)
*#22087 - 2.27MB, 32 pp. - 0.0/10 (-) - V/36/V- 3278×⇩ - Innocente

Publisher. Info.Moscow: Muzyka, n.d.(ca.1975). Plate 10188
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Melody in the Mist (No.107)

For 3 Violins, Viola and Double Bass (Dakoutros)

Complete Score
*#544143 - 0.04MB, 3 pp. - 0.0/10 (-) - !N/!N/!N- 118×⇩ - Matthewaos

⇒ 5 more: Violin 1 • Violin 2 • Violin 3 • Viola (Tremble Clef) • Double Bass

Violin 1
*#544144 - 0.01MB, 1 pp. - 0.0/10 (-) - !N/!N/!N- 23×⇩ - Matthewaos

Violin 2
*#544145 - 0.01MB, 1 pp. - 0.0/10 (-) - !N/!N/!N- 22×⇩ - Matthewaos

Violin 3
*#544146 - 0.01MB, 1 pp. - 0.0/10 (-) - !N/!N/!N- 22×⇩ - Matthewaos

Viola (Tremble Clef)
*#544147 - 0.01MB, 1 pp. - 0.0/10 (-) - !N/!N/!N- 22×⇩ - Matthewaos

Double Bass
*#544148 - 0.01MB, 1 pp. - 0.0/10 (-) - !N/!N/!N- 23×⇩ - Matthewaos

ArrangerMatthew Dakoutros (b. 1984)
Publisher. Info.Matthew Dakoutros, 2015.
Copyright
Creative Commons Attribution-NonCommercial 4.0[tag/del/mrg]
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Syncopation (No.133)

Bela Bartok

For Orchestra (Rafi'e)
Bela

Complete Score (EU)
*#89452 - 0.10MB, 5 pp. - 0.0/10 (-) - !N/36/!N- 1449×⇩ - arranger

ArrangerRouzbeh Rafi'e
Publisher. Info.Rouzbeh Rafi'e
Copyright
Creative Commons Attribution 3.0 - Non-PD US[tag/del]
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Free Recordings

Book 1
Book 2
Book 3

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General Information

Work TitleMikrokosmos
Alternative. Title
Name TranslationsMikrokozmosz; ミクロコスモス; 미크로코스모스; Мікрокосмос; Microcosmo (música); Микрокосмос (Барток)
Name AliasesSz. 107; BB 105
AuthoritiesWikipedia
ComposerBartók, Béla
Opus/Catalogue NumberOp./Cat. No.Sz.107
I-Catalogue NumberI-Cat. No.IBB 23
Keysee below
Movements/SectionsMov'ts/Sec's153 pieces in 6 volumes:
Volume 1
  1. 6 unison melodies (1). ♩= 96 (C major, 8 bars)
  2. 6 unison melodies (2). ♩= 96 (C major, 16 bars)
  3. 6 unison melodies (3). ♩= 96 (D minor, 12 bars)
  4. 6 unison melodies (4). ♩= 96 (C major, 8 bars)
  5. 6 unison melodies (5). ♩= 104 (A minor, 13 bars)
  6. 6 unison melodies (6). ♩= 104 (G major, 9 bars)
  7. Dotted notes. ♩= 112 (E phrygian, 14 bars)
  8. Repetition (1). ♩= 128 (E minor, 14 bars)
  9. Syncopation (1). ♩= 96 (C major, 14 bars)
  10. With alternate hands. ♩= 108 (D modal, 24 bars)
  11. Parallel motion. ♩= 140 (G mixolydian, 16 bars)
  12. Reflection. ♩= 100 (D dorian, 18 bars)
  13. Change of position. ♩= 96 (C major, 16 bars)
  14. Question and answer. ♩= 104 (D dorian, 18 bars)
  15. Village song. ♩= 124 (D major, 13 bars)
  16. Parallel motion with change of position. ♩= 104 (C major, 22 bars)
  17. Contrary motion (1). ♩= 96 (C major, 16 bars)
  18. Four unison melodies (1). ♩= 120 (D dorian, 10 bars)
  19. Four unison melodies (2). ♩= 104 (C major, 13 bars)
  20. Four unison melodies (3). ♩= 100 (G major, 16 bars)
  21. Four unison melodies (4). ♩= 130 (A minor, 16 bars)
  22. Imitation and counterpoint. ♩= 136 (D dorian, 16 bars)
  23. Imitation and inversion (1). ♩= 96 (D dorian, 12 bars)
  24. Pastorale. ♩= 120 (A major, 24 bars)
  25. Imitation and inversion (2). ♩= 150 (B phrygian, 46 bars)
  26. Repetition (2). ♩= 128 (A mixolydian, 16 bars)
  27. Syncopation (2). ♩= 96 (C major, 14 bars)
  28. Canon at the octave. ♩= 112 (E phrygian, 14 bars)
  29. Imitation reflected. ♩= 112 (E modal, 14 bars)
  30. Canon at the lower fifth. Moderato (G mixolydian, 24 bars)
  31. Dance in canon form. Allegro (D dorian, 16 bars)
  32. In dorian mode. Lento (D dorian, 14 bars)
  33. Slow dance. Andante (D major, 15 bars)
  34. In phrygian mode. Calmo (E phrygian, 26 bars)
  35. Chorale. Largamente (C major, 27 bars
  36. Free canon. Teneramente (A minor, 29 bars)

Volume 2
37. In lydian mode. Allegretto (F lydian, 32 bars)
38. Staccato and legato (1). Moderato (D major, 8 bars)
39. Staccato and legato (Canon). Comodo (F major, 11 bars)
40. In Yugoslav style. Allegretto (B dorian, 31 bars)
41. Melody with accompaniment, Adagio (G modal, 14 bars)
42. Accompaniment in broken triads. Andante tranquillo (A minor, 39 bars)
43a. In Hungarian style (for two pianos). Allegro (D major, 8 bars)
43b. In Hungarian style. Allegro (G dorian, 8 bars)
44. Contrary motion (2) (for two pianos). Vivace (E major, 16 bars)
45. Meditation. Andante (C minor, 27 bars)
46. Increasing-Diminishing. Moderato (E phrygian, 28 bars)
47. County fair. Vivace, con brio (A dorian, 34 bars)
48. In mixolydian mode. Allegro non troppo (G mixolydian, 33 bars)
49. Crescendo-Diminuendo. Moderato (C major, 10 bars)
50. Minuetto. Tempo di menuetto (A major, 18)
51. Waves. Andante (A♭ mixolydian, 33 bars)
52. Unison divided. Allegro (G mixolydian, 8 bars)
53. In Transylvanian style. Risoluto (D dorian, 32 bars)
54. Chromatics. Andante (E major, 11 bars)
55. Triplets in lydian mode (for two pianos). Tempo di marcia (F lydian, 23 bars)
56. Melody in tenths. Risoluto (A minor, 12 bars)
57. Accents. Non troppo vivo (A major, 44 bars)
58. In Oriental style. Assai lento (D minor, 19 bars)
59. Major and minor. Lento (C minor, 18 bars)
60. Canon with sustained notes. Grave (E major, 33 bars)
61. Pentatonic melody. Moderato (C lydian, 35 bars)
62. Minor sixths in parallel motion. Vivace, ma non troppo, risoluto (A modal, 40 bars)
63. Buzzing. Con moto (G major, 17 bars)
64a. Line against point. Allegro (23 bars)
64b. Line against point. Allegro (23 bars)
65. Dialogue (with voice). Allegretto (D dorian, 27 bars)
66. Melody divided, Andante (G lydian, 30 bars)

Volume 3
67. Thirds against a single voice. Andante (A minor, 16 bars)
68. Hungarian dance (for two pianos). Allegro con spirito (D major, 15 bars)
69. Study in chords. Moderato (G mixolydian, 39 bars)
70. Melody against double notes. Adagio (F♯ mixolydian/D dorian, 24 bars)
71. Thirds. Grave (D minor, 38 bars)
72. Dragons' dance. Molto pesante (G mixolydian, 24 bars)
73. Sixths and triads. Comodo (G mixolydian, 29 bars)
74a. Hungarian matchmaking song. Allegro moderato (C major, 34 bars)
74b. Hungarian matchmaking song (with voice). Allegro moderato (C major, 34 bars)
75. Triplets. Andante (C major, 30 bars)
76. In three parts. Allegro molto (D mixolydian, 20 bars)
77. Little study. Allegro risoluto (G dorian, 18 bars)
78. Five-tone scale. (E phrygian, 30 bars)
79. Hommage à Johann Sebastian Bach. Calmo (E minor, 17 bars)
80. Hommage à Robert Schumann. Andantino, piacevole (C minor, 22 bars)
81. Wandering. Non troppo lento (G mixolydian, 35 bars)
82. Scherzo. Allegretto scherzando (D mixolydian, 25 bars)
83. Melody with interruptions. G mixolydian, 18 bars)
84. Merriment. Vivace (E mixolydian, 28 bars)
85. Broken chords. Andante (G mixolydian, 62 bars)
86. Two major pentachords. Andante (F♯ major/C major, 36 bars)
87. Variations. Allegro moderato (D dorian, 69 bars)
88. Duet for pipes. Molto moderato (D minor, 32 bars)
89. In four parts (1). Largo (A mixolydian, 21 bars)
90. In Russian style. Pesante (26 bars)
91. Chromatic invention (1). Lento (17 bars)
92. Chromatic invention (2). Allegro robusto (E minor, 32 bars)
93. In four parts (2). Molto moderato, sonoro (G major, 16 bars)
94. Once upon a time... Moderato (C minor, 34 bars)
95a. Fox song. Allegro con brio (D major, 16 bars)
95b. Fox song (with voice). Allegro con brio (D major, 18 bars)
96. Jolts. Allegretto (G major, 34 bars)

Volume 4
97. Notturno. Adagio (E minor, 37 bars)
98. Thumbs under. Allegro non troppo (G dorian, 28 bars)
99. Hands crossing. Lento (C minor, 23 bars)
100. In folk song style. Andante (A minor, 24 bars)
101. Diminished fifth. Con moto (44 bars)
102. Harmonics. Allegro non troppo, un poco rubato (B major, 44 bars)
103. Minor and major. Molto allegro (A minor, 44 bars)
104a. Wandering through the keys. Comodo (D major, 25 bars)
104b. Wandering through the keys. Comodo (D major, 25 bars)
105. Game (with two five-tone scales). Allegro (C♯ minor/E phrygian, 47 bars)
106. Children's song. Moderato (43 bars)
107. Melody in the mist. Tranquillo (44 bars)
108. Wrestling. Allegro non troppo (33 bars)
109. From the Island of Bali. Andante (43 bars)
110. And the sounds clash and clang... Assai allegro (C major/D♭ major, 73 bars)
111. Intermezzo. Molto tranquillo (F♯ minor, 55 bars)
112. Variations on a folk tune. Allegro, ben ritmato (C major, 60 bars)
113. Bulgarian rhythm (1). Allegro molto (A phrygian, 29 bars)
114. Theme and inversion. Molto moderato (B minor, 19 bars)
115. Bulgarian rhythm (2). Vivace (G mixolydian, 32 bars)
116. Song. Tempo di marcia (F minor, 43 bars)
117. Bourrée. Allegretto (D mixolydian, 28 bars)
118. Triplets in 9/8 time. Allegro (C major, 33 bars)
119. Dance in 3/4 time. Allegretto grazioso (E major, 29 bars)
120. Triads. Allegro (C major, 45 bars)
121. Two-part study. Moderato (D lydian, 25 bars)

Volume 5
122. Chords together and in opposition. Molto vivace (72 bars)
123a. Staccato and legato (2). Allegro (C major, 25 bars)
123b. Staccato and legato (2). Allegro (C major, 27 bars)
124. Staccato. Allegretto mosso (36 bars)
125. Boating. Allegretto (G mixolydian, 47 bars)
126. Change of time. (Allegro pesante (C major, 35 bars)
127. New Hungarian folk song (with voice). Ben ritmato (B minor, 28 bars)
128. Stamping dance. Moderato (G phrygian, 66 bars)
129. Alternating thirds. Allegro molto (E phrygian, 60 bars)
130. Village joke. Moderato (C major, 36 bars)
131. Fourths. Allegro non troppo (E♭ minor, 50 bars)
132. Major seconds broken and together. Adagio (B modal, 24 bars)
133. Syncopation (3). Allegro (G minor, 38 bars)
134a. Studies in double notes. Allegro (C major, 6 bars)
134b. Studies in double notes Allegro (G major, 6 bars)
134c. Studies in double notes Allegro (C major, 9 bars)
135. Perpetuum mobile. Allegro molto (20 bars)
136. Whole-tone scales. Andante (A minor, 81 bars)
137. Unison. Moderato (D major, 64 bars)
138. Bagpipe music. Allegretto (G major, 77 bars)
139. Jack-in-the-box. Con moto, scherzando (C major, 52 bars)

Volume 6
140. Free variations. Allegro molto (A minor, 82 bars)
141. Subject and reflection. Allegro (B♭ minor, 82 bars)
142. From the diary of a fly. Allegro (“G”, 103 bars)
143. Divided arpeggios. Andante (“C”, 80 bars)
144. Minor seconds, major sevenths. (Molto adagio, mesto (70 bars)
145a. Chromatic invention (3). Allegro (“D”, 49 bars)
145b. Chromatic invention (3). Allegro (“F♯”, 49 bars)
146. Ostinato. Vivacissimo (“D”, 170 bars)
147. March. Allegro (B minor, 56 bars)
148. Six dances in bulgarian rhythm (1). = 350 (E minor, 60 bars)
149. Six dances in bulgarian rhythm (2). +♩‧ = 60 (C major, 64 bars)
150. Six dances in bulgarian rhythm (3). ♩‧ +♩= 80 (E major, 94 bars)
151. Six dances in bulgarian rhythm (4). ♩‧ +♩ +♩‧ = 50 (C major, 66 bars)
152. Six dances in bulgarian rhythm (5). Allegro molto (A minor, 48 bars)
153. Six dances in bulgarian rhythm (6). ♩‧ +♩‧ +♩= 56 (E minor, 97 bars)
Year/Date of CompositionY/D of Comp.1926-39
First Publication.1940 Boosey & Hawkes
Copyright InformationWhile PD in Canada, this work is copyright in the USA until Jan. 1, 2036.
DedicationPeter Bartók (Volumes 1 & 2)
Harriet Cohen (Six Dances In Bulgarian Rhythm, in Volume 6)
Composer Time PeriodComp. PeriodEarly 20th century
Piece StyleEarly 20th century
Instrumentationpiano
2 pianos (Nos. 43a, 44, 55, 68)
voice, piano (Nos. 65, 74b, 95b, 127)
External LinksWikipedia article

Bela Bartok Mikrokosmos Pdf Vol 3

Misc. Comments

Mikrokosmos Pdf


Bartok Mikrokosmos Analysis

Piano Works by Béla Bartók
  • 3 Hungarian Folk Tunes
  • Mikrokosmos, Sz.107
  • Petits Morceaux
  • Scherzo oder Fantasie
  • Slovak Dance